A new attribution to the Pietro di Giovanni Lianori’s catalog
DOI:
https://doi.org/10.6092/issn.2240-7251/3976Keywords:
Pietro di Giovanni Lianori, San Domenico church, BolognaAbstract
The article concerns a new attribution to the Pietro di Giovanni Lianori's catalog: an interesting mural painting with the bust of St. Thomas d'Aquino. The fragment of fresco was ignored by the critics. The St. Thomas has been moved to different parts of San Domenico in Bologna, maybe for devotional motives and today it is wall up in convent. The artistic and historical analysis would like to correctly enter the work in Lianori's catalog. Article would also like to reconnect the fresco with another Lianori's testimony painting: a Madonna with saint preserved in the little museum of San Domenico. Finally, the aim is also reflecting about some stylistic aspects of Lianori's artistic production, while particularly important in Bologna is the influence of Late Gothic painting of Giovanni da Modena.Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2013 Paolo Cova
The copyrights of all the texts on this journal belong to the respective authors without restrictions.
This journal is licensed under a Creative Commons Attribution 4.0 International License (full legal code).
See also our Open Access Policy.
Images and photographs may have different terms of license.
In making material available online the Journal acts in good faith. Parties who have questions or who wish to contest the use of specific works may contact the Editor in chief.
Metadata
All the metadata of the published material is released in the public domain and may be used by anyone free of charge. This includes references.
Metadata — including references — may be re-used in any medium without prior permission for both not-for-profit and for-profit purposes. We kindly ask users to provide a link to the original metadata record.