A monograph for an artist never existed
DOI:
https://doi.org/10.6092/issn.2240-7251/7539Keywords:
Monograph, Francisco Frutet, Sixteenth Century, Flemish painting, Modern Art in AndalusiaAbstract
In this paper we defend scientific usefulness of monograph in recent studies about History of Art. We have adopted this measure taking into account the ‘state of the art’ in researches about Modern Art in Andalusia. We support this opinion with a special case: the monograph of Francisco Frutet, a flemish painter who was working in Seville in the middle of the Sixteenth Century. In 2012 we were fortunate to carry out a publication about this historiography phenomenon and we could show that this artist never existed.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2017 Jesús Rojas-Marcos González
The copyrights of all the texts on this journal belong to the respective authors without restrictions.
This journal is licensed under a Creative Commons Attribution 4.0 International License (full legal code).
See also our Open Access Policy.
Images and photographs may have different terms of license.
In making material available online the Journal acts in good faith. Parties who have questions or who wish to contest the use of specific works may contact the Editor in chief.
Metadata
All the metadata of the published material is released in the public domain and may be used by anyone free of charge. This includes references.
Metadata — including references — may be re-used in any medium without prior permission for both not-for-profit and for-profit purposes. We kindly ask users to provide a link to the original metadata record.
