Anthonie Blocklandt and Italy
DOI:
https://doi.org/10.6092/issn.2240-7251/7657Keywords:
Anthonie Blocklandt van Montfoort, Karel Van Mander, Utrecht, Rome, Oratorio del Gonfalone, XVI centuryAbstract
Among the several studies dedicated to the northern Europe artists travelling in XVI century in Italy, stands out the lack of detailed work about Anthonie Blocklandt van Montfoort (1533/1534-1583), a noble origin painter from Utrecht, who was in Rome in 1572. My articles focus on the very first works made by Blocklandt - according to stylistic analysis and few information - after his journey in Rome, one of the least known period of his activity.
Starting from his interesting for Parmigianino and his controversial relationship with Michelangelo, as reported by biographer Karel van Mander, the article tries to find which models Blocklandt can have turned his attention during the stay in Rome and who others artists he can allegedly have met.
Anthonie Blocklandt van Montfoort, Karel Van Mander, Utrecht, Roma, Oratorio del Gonfalone, XVI s.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2017 Guido Checchi
The copyrights of all the texts on this journal belong to the respective authors without restrictions.
This journal is licensed under a Creative Commons Attribution 4.0 International License (full legal code).
See also our Open Access Policy.
Images and photographs may have different terms of license.
In making material available online the Journal acts in good faith. Parties who have questions or who wish to contest the use of specific works may contact the Editor in chief.
Metadata
All the metadata of the published material is released in the public domain and may be used by anyone free of charge. This includes references.
Metadata — including references — may be re-used in any medium without prior permission for both not-for-profit and for-profit purposes. We kindly ask users to provide a link to the original metadata record.