Luigi Ferdinando Marsili e le arti del disegno

Donatella Biagi Maino

doi:10.60923/issn.2240-7251/22834

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Donatella Biagi Maino Università di Bologna
Art historian, she teaches at the University of Bologna, Department of Arts, History and Theory of Restoration and History of Art in its most diverse forms, from the investigation of the Euro-centric vision in the modern age to the science of conservation. Her research focuses on modern-day painting, the art of the sacred hall, the relationship between art and science. Her studies on eighteenth-century Bolognese painting have contributed to the recognition of its value at an international level. She has worked to secure the artistic heritage in areas at risk from human and natural causes, creating a protocol adopted by UNESCO. She has coordinated international projects of the EU and the MUR; she is part of scientific committees of international journals, she is the author of numerous monographs and more than one hundred essays in scientific journals and conference proceedings.

DOI:

https://doi.org/10.60923/issn.2240-7251/22834

Keywords:

Luigi Ferdinando Marsili, Istituto delle Scienze, Accademia Clementina, Giovanni Antonio Burrini, Donato Creti

Abstract

Count General Luigi Ferdinando Marsili, from a noble Bolognese family, was one of the most prominent figures in the history and culture of his city, where he stayed only for short periods but whose fortunes he greatly contributed to changing. In this text, the reality of the relationship of the great intellectual with the arts of drawing is addressed for the first time, as it was in his capacity as patron but also motivated by precise aesthetic and stylistic choices, conducted according to a knowledge that owed much to the frequentation of Carlo Cignani, Giovan Pietro Bellori, Carlo Maratti.

Luigi Ferdinando Marsili and the Arts of Drawing

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