No. 13 (2024): Art Binds Communities in Medieval Europe

View No. 13 (2024): Art Binds Communities in Medieval Europe

edited by Gianluca del Monaco, Fabio Massaccesi, Maddalena Vaccaro

Published: 2025-02-27

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Art Binds Communities in Medieval Europe

Gianluca del Monaco, Fabio Massaccesi, Maddalena Vaccaro

7-9
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Articles

Framing Benedict’s Presence: Strategies of Floor Mosaic Decoration and the Significance of the Saint’s Relics at Montecassino and Fleury (9th-12th Centuries)

Maddalena Vaccaro

11-28
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Artistic Centres Bound by Their Splendid Manuscripts – The Current State of Research and New Views on the Meeting Points of Trier and Reichenau Book Illumination around the Year 1000

Ursula Prinz

29-46
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Linking the Living with the Otherworld: The Imperial Frontispieces of Speyer Codex Aureus and Gertrude’s St. Peter in Egbert’s Psalter

Antonino Tranchina

47-61
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Sacred Images Owned by the Laity in the Medieval Churches of Naples (10th-12th Centuries)

Stefano D'Ovidio

63-76
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‘Cloistered’ Gratians: Early Illuminated Manuscripts of the Decretum Gratiani within Communities of Regulars

Gianluca del Monaco

77-110
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Reconstructing a Network of Circulation and Dominican Patronage: The Case of the Tolosan Master of the Avignon Decretum (Avignon, BM, Ms. 659)

Maria Alessandra Bilotta

111-128
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For a Vallombrosan Artistic Network in Fifteenth-century Florence and Beyond

Michela Young

129-145
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Alabaster Connections between the Middle Ages and the Renaissance: An English Altar for the Servants of Mary in Cascina

Roberta Venditto

147-159
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Errata

Corrigendum: «Non sufficit orbis». Mobilizing Imageries, Global Catholicism and Imperial Propaganda in the Widened Worlds of the Habsburgs in the Early Modern Age

Maria Vittoria Spissu

161
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