No. 12 (2023): Storie dell'arte dai mondi iberici: materiali, problemi, geografie

Articles

• To Cartagena de Indias: Route Map for a Sevillian Altarpiece Painted by Hernando de Esturmio (1550)

  Elena Escuredo

  23-40

  • PDF (Español (España))

• From Camerino to the Viceroyalty of Peru: New Contributions to the Study of the Jesuit Painter Democrito Bernardo Bitti

  Elena Amerio

  41-65

  • PDF (Italiano)

• Borderless Creativity? A New Perspective on Netherlandish Artists in Early Modern Spanish Naples

  Marije Osnabrugge

  67-83

  • PDF

• Traveling Marian Images: Our Lady of Trapani between Spanish Sicily, Global Catholicism, and Imperial Aspirations

  Nora Guggenbühler

  87-109

  • PDF (Italiano)

• Conforming to the Prototype: The Virgin of Copacabana and her Copies, between Lake Titicaca and Madrid

  Lucía Querejazu Escobari

  111-133

  • PDF (Español (España))

• Capua and Tzintzuntzán: Negotiating Privileges, Writing Histories, Moving Stones in the 16th-Century Spanish Empire

  Bianca de Divitiis

  135-159

  • PDF

• Crosscurrents between Italy and Spain: Bishop Álvaro de Mendoza, and the Role Played by Status and Piety in his Political, Ecclesiastical and Family Networks

  Piers Baker-Bates

  163-186

  • PDF

• «For there is no power but of God»: Diptych of Philip II and Christ (1568) and Habsburg Printed Propaganda

  Rachel Wise

  187-202

  • PDF

• A Question of Morals: Philip II and Achille Bocchi in a Roman Engraving (1588)

  Emily Monty

  203-222

  • PDF