No. 3 (2018): Dossier. Allestire una collezione. Percorsi storici e modelli di fruizione (a cura di Sandra Costa, Marinella Pigozzi)

Articles

• Itineraries in the Ancien Régime: the reasons behind the ‘invisible collections’

  Sandra Costa

  • PDF (Italiano)

• Collecting in the countryside’s residences: pictures and display outside the Ferrara’s walls

  Cecilia Vicentini

  • PDF (Italiano)

• Roberto Fontana art agent in Milan and the collection of Francesco I d’Este

  Odette D’Albo

  • PDF (Italiano)

• The collection of Sampieri family: from dispersion to denial and desirable development

  Marinella Pigozzi

  • PDF (Italiano)

• Henri Reboul (1763-1839): from the founding of the Louvre Museum to the formation of a private collection

  Gianmarco Raffaelli

  • PDF (Italiano)

• Ecclesiastical Museum: the House of the Blessed Osanna Andreasi in Mantua

  Angela Ghirardi, Rosanna Golinelli Berto

  • PDF (Italiano)

• ArtLine Milano: a collection of outdoor contemporary art

  Roberto Pinto

  • PDF (Italiano)

• To set up and to enjoy: historical models compared in Municipal Art Collections of Palazzo d’Accursio

  Michela Tessari

  • PDF (Italiano)

• Beyond the catastrophe. The reopening of the Gallery of Modern Art ‘Aroldo Bonzagni’ after the earthquake

  Giuseppe Virelli

  • PDF (Italiano)

• The Archive of the Fabbriceria di San Francesco in Bologna

  Elisa Baldini

  • PDF (Italiano)

• Problems and proposals for exposing the Mucchi collection at the Galleria Estense in Modena

  Cecilia Araldi

  • PDF (Italiano)

• Telling the Luciana Tabarroni collection’s through its exhibitions (2003-2017)

  Silvia Grandi

  • PDF (Italiano)

• Words Beyond. Fuoripagina, the Gian Paolo Roffi Collection

  Pasquale Fameli

  • PDF (Italiano)

• Archive Daolio: testimonies of aesthetic criticism

  Davide Da Pieve, Lara De Lena, Caterina Sinigaglia

  • PDF (Italiano)